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Members of the FOAF and W3C Semantic Web Interest Group communities collaborated in 2003 to make a extremely easy vocabulary that explained details in geographic room. Among its members were: Félix Vallotton, who developed an ironic design and style with connotations of black humor, with an unabashed eroticism, where the bodies have a flat, Japanese-affected constitution, with faces that appear like masks (Bathing on a Summer Afternoon, 1892) Pierre Bonnard, who painted nudes under different kinds of mild, each natural and artificial, commonly in personal scenes, bedroom and boudoir, with a taste for reflections in mirrors, generally centered on photos (Woman reclining on a mattress, 1899 The nap, 1900 Man and Woman, 1900 Nude Against the Light, 1907 Mirror Effect, 1909 Dressing Table with Mirror, 1913 Nude in the Bucket, 1916) and Charles Filiger, who developed a medieval-influenced type-especially from Gothic stained glass-of flat colours with black outlines, as in The Recumbent Christ (1895), encouraged by Holbein's The Corpse of Christ in the Tomb, diminished to basic and pure types, demonstrating a symbolic candor that turns Christ into a transcendental, evocative figure, of a naivety that indicates purity.



In Spain, realism also prevailed in the middle of the century: Eduardo Rosales dealt with numerous genres, and although he designed number of nudes (Sleeping Woman, 1862 After Bathingo, 1869), they ought to have to be highlighted for their high-quality. Nudes (1919), by Suzanne Valadon, São Paulo Museum of Art. In his Series of nudes of women bathing, washing, drying them selves, combing their hair or currently being combed, presented at the last exhibition of the Impressionists, in 1886, he tried using to offer a new vision of the nude, revealed from the aspect or from at the rear of, but not from the entrance, to emphasize the impact of a stolen instantaneous, and so that it does not look that they are presenting by themselves to the community in his personal words and phrases: "till now the nude experienced been offered in postures that presupposed an viewers. But my ladies are uncomplicated, honest individuals, who only take treatment of their physical grooming. Here is a different 1: she is washing her toes and it is as if I were being hunting at her via the keyhole". Maurice de Vlaminck had a predilection for pure hues, with a Cézannian quantity: in Reclining Nude (1905) and Women Bathing (1908) he produced a Matissean treatment of the woman nude.



After some beginnings in pointillism (Study of a Nude, 1880) and a remain in Pont-Aven with the Nabis (The Yellow Christ, 1889), his keep in Tahiti assisted him to recreate a world of primitive placidity exactly where nudity was contemplated by natural means, as can be seen in I Raro te Oviri (1891), Loss of Innocence (1891), Best sex site Tahitian Eve (1892), Two Tahitian Women on the Beach (1892), Woman at Sea (1892), Manao tupapau (1892), The Moon and the Earth (1893), Otahí or Solitude (1893), Delicious Day (1896), The Mango Woman (1896), Where Do We Come From? What Are We? Where Are We Going? (1897), Vairumati (1897), Nevermore (1897), And the gold of their bodies (1901), and so forth. Henri de Toulouse-Lautrec, in distinction to the stylized nudes of the educational salons, analyzed the female figure in its most crude carnality, with out disregarding the body's personal imperfections, with a desire for circus and songs hall scenes, or bohemian and brothel environments: Fat Marie (1884), Woman Pulling Up Her Stockings (1894), The Medical Inspection (1894), The Two Friends (1894-1895), La Toilette (1896), Woman Lifting Her Shirt (1901), and so on. Vincent van Gogh was the writer of operates of sturdy drama and interior exploration, with sinuous and dense brushstrokes, extreme colour, deforming fact, to which he gave a dreamlike air.



Symbolism was a excellent and dreamlike type, which emerged as a reaction to the naturalism of the realist and impressionist currents, putting specific emphasis on the environment of goals, as nicely as on satanic and terrifying features, sexual intercourse and perversion. He strove to dilute the define of his figures, next the impressionist approach, through a mottling of area with patches of light and shadow, inspired by the Venetian university to seize the variety by way of coloration, as observed in Anna (1876) and Torso (1876). Later, in an endeavor to simplify the nude, he was inspired by the frescoes of Raphael's La Farnesina, as perfectly as the paintings of Pompeii and Herculaneum, as is apparent in La Baigneuse blonde (1882). In the Les Grandes baigneuses (1885-1887) he painted sculptural nudes, encouraged by the Fountain of the Nymphs of Girardon (Versailles), with fluid lines and a good perception of reduction. The Fauves dispensed with standpoint, modeling and chiaroscuro, experimenting with color, which is conceived in a subjective and private way, making use of emotional and expressive values, unbiased of nature. Thus, for additional than thirty years he was performing on figures for an unfinished venture, The Gates of Hell (1880-1917) for the Museé des Arts Décoratifs in Paris-now in the Rodin Museum-from which project a number of is effective were detached that remained as independent figures, this kind of as The Thinker (1880-1900), for which he was impressed by Carpeaux's Ugolino, or The Kiss (1886-1890), which signifies the like of Paolo and Francesca narrated in The Divine Comedy.